A body of work exploring what endures once an image has been disrupted. Less concerned with the original reference, the work begins with fragmentation, breaking photographic imagery apart and reconfiguring it across print and spatial forms.
As fragments are brought back into relation, new fields begin to emerge, suggesting structure, horizon or rhythm while never fully settling. There is a tension between breaking and reassembling, a need to pull the image apart and an equally persistent impulse to hold something together again.
Extending into suspended and installation-based works, the image shifts from something to look at to something to move through. In this state it loosens, no longer fixed but provisional, allowing meaning to surface from what remains.
